Feliz Christmas, Merry Navidad (1999 Film)

Friday, December 24, 2010
Something to put you in the spirit of the season?

“Feliz Navidad.”   


The Rundown

Behind the name: Mash-up of Spanish & English
Country: Mexico & USA, 1999
 Genre: Holiday film
Distributed by: Pigeon Productions
Director: Loius Palomo
Cast: Tere López-Tarín (as Elena), Carlos Soriano (as Rafael), Angelina Cruz (as Magda), Christopher Palomo, (as Miguelito), Antonio Váldez (as Pablito), Tania Raso            (as Ixchel)
Compare to: Feliz Ano, Amor Mio
Hate it or Love it? Don’t like it

Synopsis in a Sentence: A Mother who lives with her son in Florida go to spend Christmas in Mexico and they discover (and re-discover) the true meaning of Christmas.           

A children’s film about Christmas, for the season


On Writing: The Plot

The plot is quite basic. The plot was geared toward children. To adults, there may be nothing inspiring here, unfortunately. To seasoned kids who know the difference between entertainment and education, the plot may seem a bit preachy. But the story does touch adequately on themes like friendship and culture and of course, Christmas. 
(2.5/5)


On Acting: The Cast

Honestly, they seemed like armatures. If not that, then they seemed to be acting for kids only… most of them anyway.
(2.5/5)


On Production: The Creativity

Basic.
 (2.5/5)                                              

On Resolution: The Conclusion

All’s well. It’s a Christmas story after all, and since it seemed to be geared especially toward children, it had a didactic lesson too. Not a bad ending, but not spectacular either.
(2.5/5)

The Verdict: Basic story line, some things over-done, a few overemphasized ideas, wrapped up into an inspiring Christmas story. Bah! Humbug!

Overall Score = 10/20


3 Idiots (2009 Film)

Sunday, November 28, 2010

Good movies are hard to come by. This one was great!

“Pursue excellence and success will chase you… pants down.” Rancho in 3 Idiots.

The Rundown
Behind the name: Pun on characters
Country: India, 2009
 Genre: Comedy
Distributed by: Vinod Chopra Productions
Director: Rajkumar Hirani
Cast: Aamir Khan (as Ranchoddas "Rancho" Shamaldas Chanchad / Phunsukh Wangdu), Kareena Kapoor (as Pia Sahastrebuddhe) R. Madhavan (as Farhan Qureshi), Sharman Joshi            (as Raju Rastogi), Boman Irani (as Viru Sahastrebuddhe, a.k.a ViruS), Omi Vaidya (as Chatur Ramalingam, a.k.a. Silencer), and Rahul Kumar            (as Millimeter).
Compare to: None other
Hate it or Love it?  Absolutely Love it!   

Synopsis in a Sentence: Farhan and Rajul meet Rancho during a hazing session their first day in college, and life becomes a rollercoaster of stupidity, learning and fun.
           
3 Idiots is currently the highest-grossing Bollywood film of all time! And the film earned that title with good reason. It raked a total of 202,57,00,000 Indian rupees according to Box Office India, and about 76,30,00,000 its opening week. How generous were the producers to release the full-length film in HD Blu-Ray on You-Tube for free? It’s all for the love of film people, and there’s plenty reason to love this film.

On Writing: The Plot
Great, great writing. I doubt I have come across a more entertaining piece this year. Every scene was extremely relevant. The writing was superb, carefully weaving classic comedy with natural tragedy and heartfelt sentiment. Only slightly did it run on the verge of ludicrousness, but in total, this film can do no wrong as far as the plot goes. It is an art to be able to write a script like this. Very well done!
(4.5/5)

On Acting: The Cast
Great actors. Nothing overdone… well maybe slightly, but the actors were great. Great chemistry between the idiots—it seemed like they knew each other their whole lives— Aamir Khan  carried us through the comedy and tragedy with ease and comic perfection, Sharman Joshi did well to invoke pity and fear, to produce a resolved character, R. Madhavan lead the first scene with pleasing comedy, Omi Vaidya (Silencer) played the part of the busy-body-teacher’s pet we all knew at school—mad props to him, and Boman Irani relayed the Virus—the mad scientist professor/cursed emissary of science that we loved to hate. His expressions were priceless. Great actors + great chemistry= excellent cast.
(4.5/5)

On Production:
Good. Well thought out. Nice symbolism, fluid transitions between action and song. The film moved so easily that we hardy realized the time 164-minute marathon by. Hats off to the music crew led by popular director, Shantanu Moitra. Great work. I don’t think I’ve ever enjoyed Hindi scores more than the ones in this film. (Really, you’ll find yourself singing to the tune when the film is over, waking up one good morning to the soundtrack stuck in your head(. An overall excellent production, film, music and plot alike). The fluid transitions between tragedy and comedy reflected the marriage between the writing and production. In comedy, it’s slightly harder to translate pen-comic to live comic but 3 Idiots achieved that and more. Top Stuff.
 (4.5/5)                                              

On Resolution: The Conclusion
Very well resolved, form beginning to end. It’s an art how puns were implied and secretly injected from the start of the movie to the end. The beauty is in the dialogue, the importance of the didactic lesson is hard to miss, and the skill with which the story was told could hardly be predicted. Regardless of your experience and film-predicting skill you’ll not be able to guess what this one has up its sleeves—Just wait ‘til the end.
(4.5/5)

The Verdict: Interweaving good comedy, good tragedy, and good drama to produce an all-round good movie: “All Izz Well!”

Overall Score = 18/20







Kareena Kapoor (as Pia)




See 3 Idiots the in HD-Blu-Ray on YouTube, [http://www.youtube.com/watch?v=IP40tI0QpOk]

La Nuite de la Vérité (2004 Film)

Sunday, October 31, 2010

I picked this one up because I’d never seen (or heard) any kind of entertainment form Burkina Faso. It turned out that this film had more truth and less entertainment than I was ready for.  


“War opens our souls—and once the soul is open, demonscomes in.” –Commandant Moussa Cissé in La Nuit de la Vérité.

The Rundown

Behind the name: Direct Translation—The Night of Truth. All the action takes place in one night
Country: Burkina Faso/France, 2004
 Genre: Historical Drama
Distributed by: The Global Film Initiative
Director: Fanta Régina Nacro
Cast: Naky Sy Savane (as Edna), Commandant Moussa Cissé (as Theo), Georgette Paré (Soumari), Amada Ouédraougo, Rasmané Ouédraougo, Sami Rama Goumbane (as Fatou), Capitaine Yves Thombiano (N’Gove), Capitaine Claude Kabore (as Youba), Odilia Yoni ( as Awa), Cedric Zida (As Honore), Raissa Andréa Yoni, Adama Ouédraougo (as Léonard), Troupe Naba Yaadéga (as the dancers), Serge Henry (as the driver).
Compare to: Hotel Rwanda
Hate it or Love it?  Appreciate it.

Synopsis in a Sentence: Two ethnic groups in an un-named country
 at war search for peace in one night but, in the process, old wounds are open, leaving new scars for hatred.
           
The truth is hard to swallow. This film was hard to put down. It’s raw, rough, and grimy. It unveils the disgusting accounts of war, genocide and hatred, and the worst part of it is that these tales are indeed true, and once happened.

On Writing: The Plot

The story itself is not bad. Nowhere near bad. But what it tells about is gruesome, disgusting and even repelling. The writing itself is very good, unveiling the topics of ethnic profiling, forgiveness, hated, murder, peace, suspicion, and in its own unique way, love. The plot allows us remember what we forgot, what once lied in the hearts of countrymen as they fought against oppression for their freedom. Mais, c’est très tragique. Which makes it good. What makes the writing is that it is real, so real that you may not even want to be told the story. It ends well, and although this is nasty work, it is very well done!

 (4/5)


On Acting: The Cast

Real. After seeing them in this picture I doubt that they are not the same as their characters. It feels all true, all real. In fact, I’m convinced that some of them were playing themselves on-screen. And I’m not joking.

(4/5)


On Production: The Creativity

Think of this as a very creative fictitious documentary. The production was factual. In a few scenes, the camera allowed a point-of-view perspective, drawing in its audience, convincing us that we were there at that time. When necessary, the camera allowed for ample implications, trusting in its audience’s intelligent to work out the irony of the shots. And must I add that the production was real. Forget fantasy horror flicks that flaunt fiction in our faces. The picture this film paints is unapologetically grimy, characteristically gruesome, and yet tragically true. Kudos to Africa’s leading Female director, Fanta Régina Nacro.
 The production was good. 

(4/5)                                              


On Resolution: The Conclusion

Before I get to the conclusion, I must state that I did not at all enjoy this film. It left with me a morbid, revolting, un-entertaining aftertaste. (In all manners possible—literally, I was revolted by the sight of food after this). That said, the film embodied the art of resolution with a Macbeth-meets-Romeo-and-Juliet-like artistry to its conclusion. I couldn’t have recommended a better conclusion.
It was artfully, artfully done.

(4/5)


The Verdict: It’s hard to take down, but after gulping gallons of over-sweetened film productions (sugar-coated realities), it may be worth pushing this down.
For your own good.  

Overall Score = 16/20 



I didn’t particularly enjoy it, but it had a lot of truth to it. Find out the truth for yourself. See La Nuit de la Verite. Watch an Interview with the director [http://www.youtube.com/watch?v=tHyrZjM0vSQ]

Boys Before Flowers (2009 TV Series)

Tuesday, August 31, 2010
I’ve been avoiding reviewing this one, but how could I ignore it? Boys Before Flowers infected me with a proper ADDICTION to K-Series!  



“If there were such a thing as the perfect romantic comedy, this would be it—excellent writing, a star-studded cast, and a story that makes its audience daydream and addicted at the same time makes Boys Over Flowers a world-wide wonder! ”




The Rundown

Behind the name: Pun on Japanese saying, “dumplings before flowers” based on a Japanese Manga.
Country: South Korea, 2009
 Genre: Romantic Comedy
Broadcast by: Korean Broadcasting System (KBS), 2009
Director: Jun Ki Sang Producer: Kalsang Dorjee
Cast: Lee Min-Ho (as Gu Jun-Pyo), Goo Hye-Sun (as Geum Jan-Di), Kim Hyun-Joong (as Yoon Ji-Hoo), Kim Bum (as So Yi-Jung), Kim So-Eul (as Chu Ga-Eul), Kim Joon (as Woo Bin)
Compare to: Gossip Girl (with less girls & more gorgeous boys), The OC
Hate it or Love it?  Absolutely Love it!


Synopsis in a Sentence: A dry-cleaner’s daughter gets a scholarship to an exceedingly wealthy high school in South Korea, and as she lives her average life, she gets mixed up with extremely good-looking, wealthy boys who all happen to fall for her at the same time.


It’s all fun and games at the beginning—you laugh out loud at Geum Jan-Di’s family, and explore the stark difference between the wealthy and the “normal” in the story. Then the drama kicks in, and you’re taken on a spellbinding roller coaster!


On Writing: The Plot

Pure skill. That’s what good writing is. Though judgement is based on translation, the script was simply amazing. All the members of F4 (Flower 4) had all the right words to say, they did all the right things, and responded perfectly at the right time. If you’re a girl, be careful, you’ll find yourself falling very easily for these characters. If you’re a guy, learn c-a-r-e-fully.
The plot yanks you through a series of emotions. You’ll feel the emotion and experience the drama that comes biologically with romantic comedies. The plot was skilfully crafted to throw its audience off course, and even if you’ve seen the Japanese and Taiwanese versions, the South Koreans made sure to inject a lot more suspense, intrigue and mystery into their production of the story. It’s not all just fun and quirky romance. It’s a whole lot of laugh-out-loud comedy, authentic drama, some ludicrous “action” and exciting melodrama to be packed into one romantic comedy.
The South Koreans made Boys Over Flowers theirs in every possible way.

(4.5/5)



On Acting: The Cast

A star-studded cast, full of raw talent, brimming with flair, and capable of enticing the most uninterested audiences, the cast of Boys Over Flowers expertly imparted their hearts and souls into the production of this series.
Lee Min-Ho. With ardour and perfection, skilfully relayed the gorgeous arrogance of Gu Jun-Pyo. We won’t forget this curly-haired character for a long time, and neither will he, as playing Gu Jun-Pyo made his career. 
Goo Hye-Sun. She’s a smart, passionate lass, and she made Geum Jan-Di as loving and relatable as ever. Her effortless portrayal of Jan-Di allowed us sail through the series with every emotion of her character.
Kim Hyun-Joong. He sings, he acts; he performs throughout Boys Over Flowers, and portrays a very different character from all the other F4 members. Patience and serenity come to mind with his portrayal of Yoon Ji Hoo. Very well done. 


Kim So-Eun. She plays a very reserved charater, in this series, and by the end of it all, we’re led to believe Chu Ga-Eul is Kim So-Eun. That’s how good she is.
Kim Bum. We therefore proclaim him the Asian Chuck Bass, but much better looking and much more irresistible. In addition to being drop-dead gorgeous, he portrays So Yi-Jung’s emotions superbly. 
Kim Joon. Known as “the voice of reason” of the series, Kim Joon plays Woo-Bin effortlessly, save for his use of random “Engrish” phrases.

Other notable acts include Park Ji Bin (as Geum Kang San) who plays Jan Di's younger brother, Ahn Suk Hwan (as Geum II Bong, Jan Di’s father) and Im Ye Jin (Na Gong Ju, Jan-Di’s mother). Gotta say, Jan-Di’s family rocks!!! (Especially her brother) When you watch it, you’ll see. If you’ve seen it, you know. And what’s a story without its villains? Artfully portrayed by Lee Hye-Yeong, Gu Jun-Pyo’s mother highlighted the evil in Boys Over Flowers. We didn’t just love to hate her, we hated her. That’s great acting. There’s much more to say, but overall, a great cast. Must have been fun to work with. 

(4.5/5)



On Wardrobe: The Fashion

The Men. That’s what the fashion was all about. And it wasn’t disappointing. Exquisitely tailored suits that seemed to have dropped from heaven were adorned on the frames of the F4, while the girls were left high and dry.
Much more could have been done for the women. We would have loved to see Jan-Di sport her own inexpensive style throughout the series, or Ga-Eul whip us some cute outfits from time to time. At the least, Jae-Kyung (Monkey) could have displayed some inspiring female fashion, but none of that happened. Perhaps the wardrobe department exhausted its budget on the male characters. Well, we really don’t mind coz we’d rather have them over flowers anyway ;)

(4/5)                                             

On Resolution: The Conclusion


After all is said and done, prepare to get addicted to K-Dramas after seeing Boys Over Flowers. The plot is creative, the resolution logical, the comedy, drama, and romance real. Believe all the hype. This one is good.

(4.5/5)


The Verdict: Made with sugar, spice, and everything nice… an a little bit of kimchi!

Overall Score = 17.5/20 




Watch Boys Over Flowers [http://www.hulu.com/boys-before-flowers] 



*Note: All web sources provided from this source are legal. 

Live-In Maid (2007 Film)

Tuesday, August 3, 2010
An Argentinean film in Spanish portraying a pun on the relationship between pride, wealth and economic conditions.



“An authentic Latin-American  production, seemingly true to its core.”

The Rundown
Behind the name: Also Known As “Cama Adentro” (Argentina-original title), La señora Beba (Mexico), Pani Beba (Poland)
Country: Argentina, 2004
 Genre: Drama
Distributed by: Aqua Films
Directors: Jorge Gaggero
                        Cast: Norma Aleandro (as Beba Pujol), Norma Argentina (as Dora), Marcos Mundstock (as Víctor) Raúl Panguinao (as Miguel) Elsa Berenguer (as Sara), Susana (Lanteri as Memé), Claudia (Lapacó as Perla), Mónica (Gonzaga as Irma), Eduardo (Rodríguez as Luisito), Arturo Goetz (as Invitado en el Country)
Compare to: Maid In Manhattan—with a lot less comedy & romance.
Hate it or Love it?  Appreciate it.

Synopsis in a Sentence: A wealthy upper-class woman and her live-in maid must adjust to the ironies of the Argentinean economic crisis, and as the tables are turned, the 30-year relationship between the women reveal the dynamics of humanity, pride and humility.
           
With 7 wins and 6 nominations from worldwide film festivals, the Live-In Maid received positive global reception from the Sundance Film Festival, the Lleida Latin American Film Festival, as well as the Argentinean Film Critics Association Award. The thing is, the critics say one thing and normal people like us may think another. Here’s what I think:


On Writing: The Plot

It’s a good story. A very subtle manifestation of the difficulties of the Latin American economic crisis through the lives of two women of about the same age, clasped by the inequalities of economic freedom. The crisis dispels their conditions, and we get a deeper look into the relationship between these two women.
The storyline was relatable and interesting to explore. The situations can be understood in various cultural contexts. The satire was a delicate jibe on society and economic equality. With a few laughable moments and a true plot, the Live-in Maid made good, realistic entertainment.

(3.5/5)


On Acting: The Cast

Really good actors. I cannot quite imagine them in any other roles. Norma Aleandro, who played  Beba Pujol, the rich madam of the live-in maid oozed sympathetic pride throughout the film. A role artfully delivered. Norma Argentina who played Dora, also revealed kindness in the face of the difficulties of those times.

(4/5)


On Production: The Creativity

The production allowed straightforward delivery of the storyline, the events and the dialogue shared between the characters. It allowed for a deeper look into their lives and their difficulties.

 (3/5)                                             


On Resolution: The Conclusion

The resolution reeked of foreign production, which may translate into its Argentinean originality. At the end of the Live-In Maid, the cup may either be half full or half empty. The story left its audience hanging, allowing for suggestions to its conclusion, which either allows for a good conclusion or a bad one. though it did offer a good direction concerning the relationship between the two women.

(3/5)


The Verdict: Some may consider it slow, but it builds its own momentum. Appreciate the originality of a Latin-American production.

Overall Score = 13.5/20


 See the Live-In Maid