Boys Before Flowers (2009 TV Series)

Tuesday, August 31, 2010
I’ve been avoiding reviewing this one, but how could I ignore it? Boys Before Flowers infected me with a proper ADDICTION to K-Series!  



“If there were such a thing as the perfect romantic comedy, this would be it—excellent writing, a star-studded cast, and a story that makes its audience daydream and addicted at the same time makes Boys Over Flowers a world-wide wonder! ”




The Rundown

Behind the name: Pun on Japanese saying, “dumplings before flowers” based on a Japanese Manga.
Country: South Korea, 2009
 Genre: Romantic Comedy
Broadcast by: Korean Broadcasting System (KBS), 2009
Director: Jun Ki Sang Producer: Kalsang Dorjee
Cast: Lee Min-Ho (as Gu Jun-Pyo), Goo Hye-Sun (as Geum Jan-Di), Kim Hyun-Joong (as Yoon Ji-Hoo), Kim Bum (as So Yi-Jung), Kim So-Eul (as Chu Ga-Eul), Kim Joon (as Woo Bin)
Compare to: Gossip Girl (with less girls & more gorgeous boys), The OC
Hate it or Love it?  Absolutely Love it!


Synopsis in a Sentence: A dry-cleaner’s daughter gets a scholarship to an exceedingly wealthy high school in South Korea, and as she lives her average life, she gets mixed up with extremely good-looking, wealthy boys who all happen to fall for her at the same time.


It’s all fun and games at the beginning—you laugh out loud at Geum Jan-Di’s family, and explore the stark difference between the wealthy and the “normal” in the story. Then the drama kicks in, and you’re taken on a spellbinding roller coaster!


On Writing: The Plot

Pure skill. That’s what good writing is. Though judgement is based on translation, the script was simply amazing. All the members of F4 (Flower 4) had all the right words to say, they did all the right things, and responded perfectly at the right time. If you’re a girl, be careful, you’ll find yourself falling very easily for these characters. If you’re a guy, learn c-a-r-e-fully.
The plot yanks you through a series of emotions. You’ll feel the emotion and experience the drama that comes biologically with romantic comedies. The plot was skilfully crafted to throw its audience off course, and even if you’ve seen the Japanese and Taiwanese versions, the South Koreans made sure to inject a lot more suspense, intrigue and mystery into their production of the story. It’s not all just fun and quirky romance. It’s a whole lot of laugh-out-loud comedy, authentic drama, some ludicrous “action” and exciting melodrama to be packed into one romantic comedy.
The South Koreans made Boys Over Flowers theirs in every possible way.

(4.5/5)



On Acting: The Cast

A star-studded cast, full of raw talent, brimming with flair, and capable of enticing the most uninterested audiences, the cast of Boys Over Flowers expertly imparted their hearts and souls into the production of this series.
Lee Min-Ho. With ardour and perfection, skilfully relayed the gorgeous arrogance of Gu Jun-Pyo. We won’t forget this curly-haired character for a long time, and neither will he, as playing Gu Jun-Pyo made his career. 
Goo Hye-Sun. She’s a smart, passionate lass, and she made Geum Jan-Di as loving and relatable as ever. Her effortless portrayal of Jan-Di allowed us sail through the series with every emotion of her character.
Kim Hyun-Joong. He sings, he acts; he performs throughout Boys Over Flowers, and portrays a very different character from all the other F4 members. Patience and serenity come to mind with his portrayal of Yoon Ji Hoo. Very well done. 


Kim So-Eun. She plays a very reserved charater, in this series, and by the end of it all, we’re led to believe Chu Ga-Eul is Kim So-Eun. That’s how good she is.
Kim Bum. We therefore proclaim him the Asian Chuck Bass, but much better looking and much more irresistible. In addition to being drop-dead gorgeous, he portrays So Yi-Jung’s emotions superbly. 
Kim Joon. Known as “the voice of reason” of the series, Kim Joon plays Woo-Bin effortlessly, save for his use of random “Engrish” phrases.

Other notable acts include Park Ji Bin (as Geum Kang San) who plays Jan Di's younger brother, Ahn Suk Hwan (as Geum II Bong, Jan Di’s father) and Im Ye Jin (Na Gong Ju, Jan-Di’s mother). Gotta say, Jan-Di’s family rocks!!! (Especially her brother) When you watch it, you’ll see. If you’ve seen it, you know. And what’s a story without its villains? Artfully portrayed by Lee Hye-Yeong, Gu Jun-Pyo’s mother highlighted the evil in Boys Over Flowers. We didn’t just love to hate her, we hated her. That’s great acting. There’s much more to say, but overall, a great cast. Must have been fun to work with. 

(4.5/5)



On Wardrobe: The Fashion

The Men. That’s what the fashion was all about. And it wasn’t disappointing. Exquisitely tailored suits that seemed to have dropped from heaven were adorned on the frames of the F4, while the girls were left high and dry.
Much more could have been done for the women. We would have loved to see Jan-Di sport her own inexpensive style throughout the series, or Ga-Eul whip us some cute outfits from time to time. At the least, Jae-Kyung (Monkey) could have displayed some inspiring female fashion, but none of that happened. Perhaps the wardrobe department exhausted its budget on the male characters. Well, we really don’t mind coz we’d rather have them over flowers anyway ;)

(4/5)                                             

On Resolution: The Conclusion


After all is said and done, prepare to get addicted to K-Dramas after seeing Boys Over Flowers. The plot is creative, the resolution logical, the comedy, drama, and romance real. Believe all the hype. This one is good.

(4.5/5)


The Verdict: Made with sugar, spice, and everything nice… an a little bit of kimchi!

Overall Score = 17.5/20 




Watch Boys Over Flowers [http://www.hulu.com/boys-before-flowers] 



*Note: All web sources provided from this source are legal. 

Live-In Maid (2007 Film)

Tuesday, August 3, 2010
An Argentinean film in Spanish portraying a pun on the relationship between pride, wealth and economic conditions.



“An authentic Latin-American  production, seemingly true to its core.”

The Rundown
Behind the name: Also Known As “Cama Adentro” (Argentina-original title), La señora Beba (Mexico), Pani Beba (Poland)
Country: Argentina, 2004
 Genre: Drama
Distributed by: Aqua Films
Directors: Jorge Gaggero
                        Cast: Norma Aleandro (as Beba Pujol), Norma Argentina (as Dora), Marcos Mundstock (as Víctor) Raúl Panguinao (as Miguel) Elsa Berenguer (as Sara), Susana (Lanteri as Memé), Claudia (Lapacó as Perla), Mónica (Gonzaga as Irma), Eduardo (Rodríguez as Luisito), Arturo Goetz (as Invitado en el Country)
Compare to: Maid In Manhattan—with a lot less comedy & romance.
Hate it or Love it?  Appreciate it.

Synopsis in a Sentence: A wealthy upper-class woman and her live-in maid must adjust to the ironies of the Argentinean economic crisis, and as the tables are turned, the 30-year relationship between the women reveal the dynamics of humanity, pride and humility.
           
With 7 wins and 6 nominations from worldwide film festivals, the Live-In Maid received positive global reception from the Sundance Film Festival, the Lleida Latin American Film Festival, as well as the Argentinean Film Critics Association Award. The thing is, the critics say one thing and normal people like us may think another. Here’s what I think:


On Writing: The Plot

It’s a good story. A very subtle manifestation of the difficulties of the Latin American economic crisis through the lives of two women of about the same age, clasped by the inequalities of economic freedom. The crisis dispels their conditions, and we get a deeper look into the relationship between these two women.
The storyline was relatable and interesting to explore. The situations can be understood in various cultural contexts. The satire was a delicate jibe on society and economic equality. With a few laughable moments and a true plot, the Live-in Maid made good, realistic entertainment.

(3.5/5)


On Acting: The Cast

Really good actors. I cannot quite imagine them in any other roles. Norma Aleandro, who played  Beba Pujol, the rich madam of the live-in maid oozed sympathetic pride throughout the film. A role artfully delivered. Norma Argentina who played Dora, also revealed kindness in the face of the difficulties of those times.

(4/5)


On Production: The Creativity

The production allowed straightforward delivery of the storyline, the events and the dialogue shared between the characters. It allowed for a deeper look into their lives and their difficulties.

 (3/5)                                             


On Resolution: The Conclusion

The resolution reeked of foreign production, which may translate into its Argentinean originality. At the end of the Live-In Maid, the cup may either be half full or half empty. The story left its audience hanging, allowing for suggestions to its conclusion, which either allows for a good conclusion or a bad one. though it did offer a good direction concerning the relationship between the two women.

(3/5)


The Verdict: Some may consider it slow, but it builds its own momentum. Appreciate the originality of a Latin-American production.

Overall Score = 13.5/20


 See the Live-In Maid