I Am Love (2009 Film)

Sunday, December 28, 2014
After not seeing an Italian film for a while, I picked this one up because the cover looked like it was ‘full of secrets’—I know, don’t judge a book (or movie) by it’s cover, but what else do you judge it by?




Take a good look at the cover photo—what do you see?”

The Rundown
Behind the name: Originally ItalianIo sono l'amore
Country: Italy, 2009
Genre: Drama
Distributor: Mikado Film
Directed By: Luca Guadagnino
                     Cast: Tilda Swinton (as Emma Recchi), Flavio Parenti (as Edoardo Recchi Jr.), Edoardo Gabbriellini (as Antonio Biscaglia), Alba Rohrwacher (as Elisabetta Recchi), Pippo Delbono (as Tancredi Recchi), Maria Paiato (as Ida Roselli), Diane Fleri (as Eva Ugolini), Waris Ahluwalia (as Shai Kubelkian), Marisa Berenson (as Allegra Recchi), Gabriele Ferzetti (as Edoardo Recchi Sr.).
Compare to: Will think about this one... 
Hate it or Love it?  Like it  

Synopsis in a Sentence: This woman’s got it all—a husband, kids, a good home, and money—so why does she get into it with her son’s friend, and how does the story alter from there? 

On Writing: The Plot
The story’s about a woman who’s dissatisfied with her life. It tells us how far she’d go to be happy, but what exactly does happiness mean? For her, it comes at a high cost. Overall, the plot is well written. It’s not a dry story, for sure, but you’ll have to get it to enjoy it.
 (3.5/5)

On Acting: The Cast
Tilda Swinton
A good cast overall. I cannot think of one actor that performed poorly… well, for the most part, the most important ones do their jobs well. Top actress goes to Tilda Swinton, who plays the lead, Emma Recchi. She’s point-blank. She’s good. 
Edoardo Gabbriellini- Left
Top actor will have to go to Edoardo Gabbriellini, who plays her partner in crime, Antonio Biscaglia. Thy do the do together. They’re not bad at it. (Acting, that is).
(3/5)



On Production: 
The Creativity
The production is good. Really not bad. Good. (3/5)                                             

On Resolution
The Conclusion
This one is quite the catcher. Really. It’s the best part. And then it ends abruptly.
(4/5)




The Verdict: Overall, quite well done. A lot of things implied, so take care to take note. Beware of sexual content though.  


Overall Score = 13.5/20






Devdas (2002 Film)

Saturday, November 29, 2014
Can someone say MELODRAMA! 


Devdas has earned its spot the Time Magazine’s top ten movies of the millennium worldwide!

The Rundown
Behind the name: Based on the 1917 book, Devdas by Sharat Chandra Chattopadhyay
Country: India, 2002
Genre: Melodrama, Romance
Distributed by: SLB Films
              Cast: Shahrukh Khan (as Devdas Mukherjee), Aishwarya Rai Bachchan (as Parvati "Paro" Chakraborty), Madhuri Dixit Nene (as Chandramukhi), Jackie Shroff (as Chunnilal "Chunnibabu"), Smita Jaykar (as Kaushalya Mukherjee), Manoj Joshi (as Dwijdas Mukherjee), Ananya Khare (as Kumud Mukherjee), Ava Mukherji (as Dev's Badi-ma), Kirron Kher (as Sumitra Chakraborty)
       
                  Compare to: Vivah!  
Hate it or Love it?  Love it!

Synopsis in a Sentence: Childhood sweethearts are separated for ten years when the guy leaves for the UK to study law; now they’re grown will they really end up together forever?

This one is quite the classic. It’s the third Hindi remake and the first time in colour! A nine-time Filmfare Award winner (think Indian Oscars), including the best film for 2002, Devdas became a five-time National Award winner; and was listed the No. 1 film worldwide in 2002, according to Time Magazine. Critics and audiences alike adored this movie. Grossing $25 million with a budget of about $8 million, Devdas is a winner on all fronts!      

On Writing: The Plot
Oh, it’s as melodramatic as it gets! But it’s SUCH an enjoyable plot—one full of juxtaposition too. The story’s simple but realistic, comedic but dramatic. It’s a classic tale of Bollywood style Romeo and Juliette with the implications of social class convoluted. It’s the type of story everyone can sympathise with and understand. The movie’s action-oriented screenplay plays well into the script, written by Sanjay Leela Bhansali, who also directs the movie. This double duty filters, it seems, as perhaps certain renditions of characters are simply too… simple. Everything else in terms of production is complex. The wordplay is quite intriguing though, and we get glimpses into old-style India from this plot. Sharat Chandra Chattopadhyay’s teenage mind (impressively, he was a only 17 years old when he wrote the book) is brought into a theatre of sorts through this plot, and it’s a great one too!
(4/5)


On Acting: The Cast
The cast and their acting is terrific! We are drawn to Sharukh Khan and Aishwarya Rai’s performances and their chemistry, and we are entertained by Khirron Kher and Madhuri Dixit’s performances of their characters. These actors bring the movie to life!

Aishwarya Rai
 Rai plays the Juliette of the story. She easily delivers the youthfulness, tenacity and passion required of her character. She brings the dance sequences to life, and allows us to empathise with Paro’s story easily. We are enthralled by her overall performance!


ShahRukh Khan
Khan takes over the screen with his carriage and portrayal of Devdas’ story. From him we experience ardour and weakness, strength and heartbreak. He relays the hero’s perspective and we are able to understand the flaws of the hero. An intriguing performance!

Kirron Kher
 Hats off go to Kher, who plays Paro’s mother. Her performance is dignified and ardent and we are introduced to the theatrical turn of the movie with her character.  
Madhuri Dixit
 Dixit plays ‘the other woman,’ who we end up falling in love with. She defends and proves her title as “the original dancing diva” in her performance with Rai, particularly in their  “Dola Re Dola” number.
Milind Gunaji
Milind Gunaji plays the despicable villain and we totally believe he’s a creepy pervy man in real life! 

(4.5/5)





On Production: The Creativity
Alright. Production is the star of this film! Clearly, Director Bhansali takes advantage of the debut of the movie in vivid colour. It’s a total explosion and it is rich and tasteful and distinctly Bollywood. Production is theatrical, but hey, this is melodrama, and what is melodrama without its parlay with theatre?
The dance performances are complex and excessively entertaining. On the creative side, wardrobe, hair and make up is exquisite!
The shots are sweeping and beautiful, with fluid transitions and soft symbolism. The entire story is wrapped up in this beautifully knit art that is production. Bravo!
(4.5/5)                                             

On Resolution: The Conclusion
Oh, the realistic ending of this drama! The end is perhaps the best. The movie ends with our hearts out because we’ve been deeply implicated by this relatable story. A didactic note to the guys; Take note. Only make steps you really mean.
(4/5)

The Verdict: A fabulous movie! A must-watch!

Overall Score = 17/20


 

Watch Devdas: http://www.einthusan.com/movies/watch.php?id=480



My Name Is Khan (2010 Movie)

Saturday, October 25, 2014
I first learned about this film while watching Riz Khan on Aljazeera: saw a clip, listened to Shah Rukh Khan on the interview, and knew that I needed to see it. Then I did but that excellent intro put the film on a pedestal it wasn’t supposed to be on in the first place…




“A noteworthy performance, a strained plot, a political fairy-tale.”

The Rundown
Behind the name: Title to the main character’s goal of gaining acceptance with his name.
Country: India, 2010
Genre: Drama
Distributor: Fox Searchlight Pictures
Directed By: Karan Johar
Cast: Shahrukh Khan (as Rizwan Khan), Kajol (as Mandira Khan), Yuvaan Makar (as Sameer/Sam), Zarina Wahab (as Razia Khan/Rizwan's mother), Tanay Chheda (as Rizwan Khan-as a young child), Jimmy Shergill (as Zakir Khan), Sonya Jehan (as Haseena Khan), Parvin Dabas (as Bobby Ahuja)
Compare to: That stereotypical film attempting to incite sympathy
Hate it or Love it?  Appreciate it

Synopsis in a Sentence: A man who suffers from Aspersers syndrome tries to overcome hate, rejection, and repression in his native Pakistan; after becoming as an ex-pat in the US, he faces injustices as a Muslim in the post 9/11 social sphere; following a tragic incident he embarks on a journey to meet the president, to drive home the idea that a name does not determine one’s character…
           
The story is good, and it touches serious and true concepts in Western and American society. Many can relate to its story and message, and many should acknowledge and reverse the injustices it uncovers. The story is good, but the execution of film does not do it justice.

On Writing: The Plot
It would have been good.
It should have been good, but quite frankly, it isn’t. The plot had all the ingredients for the perfect soup that suffers from too much salt. The plot suffers from too much of everything—too much of everything good—it tries so hard to be perfect that it over does it. It:
(i) Practically pleads for sympathy with its use of black-and-white, flat characters, rather than attempts to earn our empathy with true-to life, round and multifaceted characters,
(ii) Waves its abnormally flawless hero and main characters in our face, which simply makes it unnatural, and a bit unrelatable,
(iii) Tries so hard to tug at our hearts that it claws at it, leaving such a pathetic overdose of fake ‘sympathy’ that we are forced into ennui rather than compassion…
How does the saying go? “Familiarity breeds contempt,” and this film tries so hard to ‘get familiar,’ that it fails.
Could have been good, but it isn’t.
And when the time for comedy comes, it pauses as if to say ‘Insert laughter here’ and it clicks its fingers at us, expecting its audience to laugh along with it—and it does the same with drama throughout the film too—you’ll sense it 30 seconds before it happens, as though the movie tries to mock your intelligence, and in a way, it does.
Quite frankly, the plot is shallow.
(3.5/5)

On Acting: The Cast
It’s a good cast. The lead actor and actress carry the entire film on their shoulders (which is not a small feat for 162 minutes of on-screen performance) and the movie is worth watching for them alone. 

Shah Rukh Khan

Kajol
Shah Rukh Khan and Kajol play their roles admirably, while unfortunately, the rest of the cast fall short of their merit. It is almost painful to watch the excellent actors and the amateurs side-by-side, particularly the younger cast, as you can see right through them. With great effort, they play their characters transparently, reminding you that they are aware that they are supposed to be playing a role. Perhaps the plot doesn’t help either. 
But regardless, the film is worth it for the lead actors alone—excellent performances that walk you throughout the story with ease.  
 (3/5)

On Production:
A great production. Really good production design, great shots, nice symbolism, good lighting—this might have been the film’s highlight. 
 (4/5)                                              

On Resolution: The Conclusion
What do you think? With a sorry plot, an almost good delivery, and great production, how do you think a film like this will end?
Well of course, the plot encompasses the whole film, which is fortunately unfortunate. Before the verdict, I should say though, that the plot itself is good, it intended to be good, but it was delivered badly, and so, the entire film suffered for it.
 (3/5)

The Verdict: Falling short of a fairy tale, My Name Is Khan tries to tackle serious political and socio-religious injustices in a clumsy manner, and either succeeds in insulting its audience, or alienating their sympathy for its cause.
If you really want to understand the post-9/11 injustices Muslims face living in the west, might be best to pick up a book that knows and explains more than this film does.

Overall Score = 13.5/20



Don’t quite believe me? See what some IMDB reviewers had to say about it:

1.      Sharuh Khan tries to be Hollywood, fails miserably. I understand that there are major differences when it comes to the background of the people. I also understand that Bollywood just happens to have a different agenda to Hollywood, However, the creators are trying to do the impossible here, bringing together Bollywood's simplicity and joie de vivre with Hollywood's showmanship and superficial but poignant narrative of social problems. It does succeed in not being Bollywood. It's very apologetic about even the slightest sign of this being an Indian movie, and does it's best to act like it's a western one.
In that, it falls straight on it's face. I would expect these sort of one-dimensional characters in Bollywood and I would be happy to go with them. If -however- we measure them by western storytelling standards, then the actors are rubbish. This must had the worst cases of overacting I've ever seen from a western movie. The story is entirely predictable, the protagonist first succeeds against incredible odds, then falls against some hardship they've been building up for a while, after which he succeeds again, to find an even greater happiness and recognition throughout the country. This in itself is not necessarily bad, I can name several great movies with the same dramaturgy. The problem here is that narrative itself feels empty. No great truth is being searched here, beyond "prejudices are bad". Example: The plot is so thin, that the "wisdom" being repeated "There are good and bad people in the world" is one of the deepest thoughts of the whole story.
I can't find a single character who had any life in them or wasn't made up of primitive stereotypes of personas. The lovable mentally handicapped, the struggling single mom who finds it hard to trust a man again, the conflicted, neglected brother vying for success and attention, even the motel-owner who has to fight people off with a shotgun all the time. These clichés might be new to a certain audience, but I've been watching them since the day I was born and if you're reading this, chances are you have too. (Andras Gerlits- UK)  

2.      There are only two kind of people in the world: GOOD people who do good things and BAD people who do bad things. In this world where the definitions of good and bad are changing everyday by those who are in power and those who want the power, most of us just go with the flow and believe the values which are most convenient to us.

But there exist some people who are gifted(or cursed; depends on your point of view) to see things as they are without their interests hindering the view of their souls. One such soul belongs to the protagonist of this movie who will touch your heart for sure.

Without giving any details and spoiling your experience I would like u to go and watch this movie without presuming anything.I am not saying that it is without flaws: you may find the lead actress a bit too shrill at times, the editing a bit finer and the background score too loud in two or three scenes but watch this movie for its intent and its message that there is nothing in this world which holds as much power as an emotion: LOVE. (Anonymous)

4.      My name is Khaldoun and I'm not a terrorist.... still movie fails
To like or to hate the movie isn't based on your background, I'm an Arab Muslim and my name is Khaldoun, and I'm not a terrorist... still movie sucks. The message could be delivered in a much better way and shorter. Some stuff I really couldn't stand in the movie: 1. The long songs 2. Going to whataver city after been hit by a flood 3. The meeting with Barak Obama was a joke, and it wasn't funny (it's like when Harold and Kumar met George Bush, but that was a comedy film) 4. His stepson's death! What an Indian coincidence 5. I still don't know if the movie was in English, Hindu, or Urdo, thank God I had arabic subtitles... because all of 'em sounded the same 6. How the hell, he is considered to be an American citizen? he will never get a green card before 3 years. In short, the script, the production, the cast was a total failure.... I wasted a thousand hour from my life watching this movie (Khaldoun Rayyan- Jordan)