Review: My Princess (2011 TV Series)

Monday, April 25, 2011
Eager to see what the year had to offer, I picked up My Princess with hopes for finding new patterns in South Korean series in 2011, but it was rather easy to find typical patterns in the plot…


“It doesn’t stray far from standard South Korean romantic comedies—flawed female character meets refined male character, conniving villains and jealous sisters, and a few unimportant ‘crises’ attempting to enthral us with suspense, but falling short. All together, it’s quite typical—but we can expect better for 2011.”


The Rundown

Behind the name: Hangul- 마이 프린세스
Genre: Romantic Comedy
Released by: MBC (MunHwa Broadcasting Corporation)
                        Cast: Kim Tae-Hee (as Lee-Sul), Song Seung-Heon (as Hae-Young),  Ryu Su-Yeong (as         Nam Jung-Woo), Park Ye-Jin (as Yoon-Joo), Ryu Su-Yeong (as Jung-Woo)
                        Compare to: A Cinderella Story, Anastasia
Hate it or Love it? Like it

Synopsis in a Sentence: A struggling college student discovers she is the last living member of Korea’s royal family, and the diplomat put in charge of her re-instatement into the imperial family can’t help but fall for her; so will she sacrifice her throne for love?


On Writing: The Plot

The story was good. It was fun, bright and cute, but not a bit more than that. The plot dealt with a good mix of themes like love (of course), jealousy, wealth, and social status, so it was a good mix. On the whole, it had all the good ingredients for an excellent romantic comedy, but fell on two main faults:
1.                    It relied too heavily on unimportant events in an attempt to create unnecessary suspense
2.                    It had too many ‘cute’ parts
I know—how can a romantic comedy have too many cute parts? Well, successful romantic comedies thrive on the ability to create tantalizing and lingering romantic moments. If the story hangs too much on sentimentality, then it’s not quite as effective. Well, this one did just that—we knew what was going to happen before it did—it bared it all out far too early in the story, and so we had no cause to be enthralled by the romance.

(3.5/5)


On Acting: The Cast

It’s a beautiful cast, I must say.

Already South Korea's screen princess,  Kim Tae-Hee plays as bright and bubbly Lee-Sul, the princess. Although she plays the role effortlessly, I must wonder—In the entirety of South Korea, is there no other age-appropriate up and coming actress to play this role? While Tae-Hee is skilled, she was simply more mature than her college-level character. We’d love to see her play roles that require her experienced acting skills, while roles like these can be left to talented emerging actresses.

 Song Seung-Heon, who plays Hae-Young, the diplomat (otherwise known as love interest) is just right for this role. He plays the young, put together, professional quite well. 

Together, Kim Tae-Hee and Song Seung-Heon have great chemistry, and the're fun to watch. 

It was also fun to see Lim Je-Yin (Kim Da-Bok) in this one. She plays “mother of poor household,” once again or, more appropriately, mother of the princess pre-royalty period. Last time we saw her, she was in Boys Over Flowers, and she rocked as the pleasure-seeking mother. Seems like she’s perfected her skills since we last saw her.
And what are South-Korean series without its villains? Others of note include Kang Ye-Sol, for her portrayal of Lee-Dan, a.k.a jealous sister, and of course, Park Ye-Jin, for her rendition of chief villain, Oh Yoon-Joo. Even the bad guys were good…

(4/5)


On Production: The Creativity

Good music—well, one really good track. I had to look for the track the first few seconds I heard it (Kasio-Taru). That’s one really cute track, and a perfect musical rendition of the sentiments in the series. As far as editing, camera work, and transitions, they weren’t bad either. They all quite worked well.

(3/5)                                             
                                        

On Resolution: The Conclusion

What would happen in a predictable romantic comedy? You can guess right from here. Yes, it ended just as you thought—although there were notable attempts to thwart our thinking—but it didn’t quite work, MBC. We were able to guess the ending after the first five episodes…

(3/5)

The Verdict: It doesn’t stray far from the standard South Korean romantic comedy—flawed female character meets refined male character, conniving villains plot evil and jealous sisters tag along, inject a few unimportant ‘crises’ attempting to enthral us with suspense, but fall short, and you’ve got the gist of My Princess. All together, it’s quite typical, but we can expect better for 2011.




Overall Score = 13.5/20



Watch My Princess [www.dramacrazy.net/korean-drama/my-princess/]

Review: Aziatix - Go (Single, 2011)

Monday, April 11, 2011










"
A masterful collaboration: Eddie’s  vocals melt over the beat like chocolate in your mouth, Flowsik’s  rhymes add some solid rhythm to the blues, and Nicky Lee brings in that refined, R&B vibe. To top it all up, Jae Chong (producer) is on fire on this track! Altogether, this single is an authentic rendition of the artists’ skill."



















The Rundown
Countries:  USA/South Korea
Label:  Independent
Genres:  R&B, Hip-Hop
Language:  English
Sounds Like:  N*Sync meets Boys II Men, with better 16s… or the male TLC…
Love it or Hate it?  Love it!

The 411
On the Artists: Aziatix is a group of 3 guys—Nicky Lee (Vocalist), Eddie Shin (Vocalist) and Flowsik (Rapper) [See picture, L-R]. The track came out late March and pulled us in through April.  An independent group from either coasts of the US, Aziatx, was just what we needed in these days of instant, fast-food-music.

On Production & Vocals: Their vocals are diverse, potent, and relevant. Their message is clear, and the production is solid. Nice and solid. Like the proper R&B we know. It’s a masterful collaboration: Eddie’s vocals melt over the beat like chocolate in your mouth, Flowsik’s rhymes add some solid rhythm to the blues, and Nicky Lee brings in that refined, R&B vibe. To top it all up, Jae Chong is ON FIRE on this track. Altogether, this single is an authentic rendition of the artists’ skill.
The music industry has been capitalizing on electro beats these past few years (funny how, about five years ago, Dance/Electro lovers were known as ‘Techno Freaks’ but now all your favourite musicians are going Electro to create club bangers). Well, this track takes us all the way back to the hay days of Rhythm and Blues. It’s all good R&B.

The Good:  No Artificial preservatives—Yup! If this were food, it would be the all-natural, un-artificial, home-grown good stuff. The track is like organic, zero calorie music (which these days, means no auto-tune!). It’s effortless, raw talent and musical skill wrapped up in one. These guys write and compose their stuff, (they even do their own publicity), and publish their music out of an independent studio. It’s much fun watching the group interact directly with their fans, listen, and work, like everyday people- only that they produce mad tracks at the end of the day. I L.O.V.E that stuff like this is produced by a band with no backing from a major company. I love the raw talent and I love the raw skill. I love it. Period.

The Bad:  There’s hardly anything wrong with the track—but for one minute (or so) detail in the arrangement. The track starts with a refrain (or hook) and It would have been be all right, but for the fact that 2:28 mins into it, you hear the ref all over again, which usually indicates that the track is transcending into its ending, but then there’s still over a minute of song left: there's a 16-bar add-on, then the chorus, and then the outro. By the time the outro is up, you would be slightly ‘tired’ of the song (because your mind had calculated that since the track started with a ref, a repetition of the same ref would indicate a near ending). So you might say that the song suffers slightly from bits and pieces in too many parts (although they do blend well together). But then again, perhaps it’s not a bad thing—perhaps it’s a bid to add variety to the track’s musical arrangement. For the most part, it works.

The Verdict: 4.5 Stars Proper R&B—Top Stuff—Can’t wait to see what else Aziatix has in store!  

Review: Aimée And Jaguar (1999 Film)

Saturday, April 9, 2011

The cover said it all, but I wasn’t quite ready for the whole film…


Ilse: Has she risked her life? Would she lie and steal and fight for you? Do you think she'd take risks my father takes? She has no idea what it's like listening to every idiot who comes up the stairs. But you know how it is, Felice. Your behaviour makes me sick!
Felice: [long beat] So send me a bill.”

The Rundown
Behind the name: Based on the true stories of Lilly Wust and Felice Schragenheim, and a book by Erica Fischer
Country: Germany, 1999
 Genre: War Drama
Distributor: Senator Film
Directed By: Max Färberböck,
                  Cast: Maria Schrader as (Felice Schragenheim/Jaguar), Juliane Köhler (as Lilly Wust/Aimée), Johanna Wokalek (as Ilse), Heike Makatsch (as Klärchen), Elisabeth Degen (as Lotte), Detlev Buck (as Günther Wust), Inge Keller (as Lilly Wust- 1997), Kyra Mladeck (as Ilse-1997)
Compare to:
Hate it or Love it?  Appreciate it  

Synopsis in a Sentence: A Jewish woman living in Nazi Germany develops a relationship with a married German womanbut how will life in Hitler’s Germany treat them?           

On Writing: The Plot
The plot’s a unique one. We’ve seen a few holocaust movies but none quite like this. The storyline includes issues that touch on injustice, racism, socio-political hardship, and homosexuality. It’s based on a true story, and a book: original, noteworthy, and authentic. An interesting plot.
(3.5/5)

On Acting: The Cast
It’s a good cast. Maria Schrader quite carries the film on her shoulders, but not without a little help from Juliane Köhler. Together they are good, but Schrader is quite the star. Other supporting actors also do justice to their parts. Good work overall.
(4/5)

On Production:
The production is good. Well relayed and delivered.
 (3/5)                                             

On Resolution: The Conclusion
Because it’s based on a true story, it makes you think. You’ll want it to end they way you’d like, but it doesn’t, because it’s a true story. A good resolution.
(4/5)

The Verdict: A good and insightful watch. Beware of sexual content though.  

Overall Score = 14.5/20