Flower Girl (2013 Film)

Monday, February 25, 2013

Saw a Nigerian movie for the first time in Cinema, and it wasn’t quite the same experience you’d get in direct-to-video releases.


Supposedly Director, Michelle Bello’s love story to Lagos, Flower Girl is an interesting take on Nigerian romantic comedies.”


The Rundown
Behind the name: The girl is a florist, therefore, she is a Flower Girl
Country: Nigeria, 2013
Genre: Romantic Comedy
Film Industry: Nollywood, 2013
Director: Michelle Bello
Cast: Damilola Adegbite (as Kemi), Chuks Chukwujekwu (as Tunde Kulani), Chris Attoh (as Umar), Eku Edewor (as Sapphire), Bikiya Graham Douglas (as Stella).
Contrast with: Pretty Woman, She’s all That
Hate it or Love it?  Appreciate it.  

Synopsis in a Sentence: A girl gets dumped by her lawyer boyfriend and tries to get him back by getting in a ‘fake’ relationship with one of the hottest actors around.

The plot of the movie was interesting enough, it had a few good actors and the production wasn’t terrible. So why didn’t it quite hit the spot?

On Writing: The Plot
 The plot takes a relatively new angle for a Nigerian movie, but we’ve seen it a million times and more in Hollywood productions. The characters were well written and developed, though one-dimensional, and the overall storyline was good. But that’s just it. It was just good. Perhaps it could have been great if it had that African flair, that Nigerian take on life that makes our movies so original. Quite honestly, the story was less Nigerian and more wannabe American. And we’ve seen way too much of that. Recurring themes like “the love triangle,” “the makeover” and “actor falling for the unlikely girl” has been done way too many times. What this film should have done was to take these themes to the next level, give them a new outlook, or lead us on and then thrown us a curveball just when we think we know what it’s all about. Yet, we missed that in this plot.
 (3/5)

On Acting: The Cast
A good cast, but the delivery of the characters was quite overdone—in almost all fronts. The characters could have perhaps toned down their acting to come across as more natural and true-to-life. Everything was too deliberate. Every character seemed to scream with desperation: “I am funny, so laugh!” And a few of them did make us laugh, but the funniest parts were in the most unassuming renditions of the characters. The cast could have delivered their characters just less, slightly less consciously.
(3/5)
Chris Attoh & Damilola Adegbite


On Production: The Creativity
The production in this one was quite good. Some great shots here and there, good angles and perspectives from the camera. Perhaps too much product placement, but great music… Speaking of music, there were quite a lot of tracks by Wizkid, but the only thing I’d call out was the sound editing. Really shaky and uneven, too much ambient sound in some scenes, improperly edited songs—almost amateurish actually. And that certainly affected the overall production quality.
(3/5)                                             

On Resolution: The Conclusion
The movie was resolved quite well. Ardent movie watchers might find it cliché, but there’s no arguing that it was well done. Some cute moments there, a few sappy moments there, instances of laugh-out-loud overdone comedy, but nothing too terrible, so the resolution wins it for this film!
(4/5)

The Verdict: Recommended to those who want a cutesy romantic comedy, with a twinge of Nigerian flavour.  

Overall Score = 13/20

 



Golden Door (2006 Film)

Thursday, January 31, 2013

I picked up Golden Door because the information on the back of the movie contained recommendations From Martin Scorsese (actually, I misread it—I thought it was a joint production by Scorsese and Emanuele Crialese) but I wasn’t completely disappointed—Scorsese’s recommendations proved valid.  


“A ride through past times.”

The Rundown
Behind the name: Original Title—Nuovomondo
Country: Italy, 2006
 Genre: Drama
Distributed by: Miramax Films
Director: Emanuele Crialese
Cast: Charlotte Gainsbourg (as Lucy Reed), Vincenzo Amato (as Salvatore Mancuso), Aurora Quattrocchi (as Fortunata Mancuso), Francesco Casisa (as Angelo Mancuso), Filippo Pucillo (as Pietro Mancuso), Federica De Cola (as Rita D'Agostini), Isabella Ragonese            (as Rosa Napolitano), Filippo Luna (as Don Ercole)
Compare to: Fellini Satyricon
Hate it or Love it?  Appreciate it

Synopsis in a Sentence: An Italian family emigrate from Sicily to America, and they meet an English lady who stirs things up.
           

On Writing: The Plot
The story of immigration into America. It takes care to highlight its main characters, taking care not to overshadow its supporting ones. The story is easy to follow, with a few abstract details to the story (cinematic metaphors, if you will) that may or may not be appreciated. Regardless, the story is a solid one, and does not once waver for uncertainty or inconclusion. A good one.
   (3.5/5)
 
On Acting: The Cast
The cast played well. One of those kinds that you may be led to conclude that they are indeed playing themselves in the movie. A good diverse mix of characters complemented by a skilful cast.
(3.5/5)



On Production:
Very well done. Production for the Golden Door should indeed be much appreciated. It’s done with care, like art and advances the story with abstract scenes that ponder on the minds of its viewers. Good work indeed.
 (4/5)                                             

On Resolution: The Conclusion
It’s not quite clear what kind of ending should be expected in such a film, but it is a good one that allows history to tell of the journey of Italian immigrants through America’s golden door. 
(3/5)

The Verdict: A good watch, loaded with like a documentary-esque information, but agreeably enjoyable.

Overall Score = 14/20

 

 




See the The Golden Door 

 [http://www.amazon.com/Golden-Door-Filippo-Pucillo/dp/B000X418UY/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1359676397&sr=1-1&keywords=the+golden+door]