Cheese in the Trap (2016 TV Series)

Friday, June 11, 2021

 A cute, twisted little uni drama! 


Hong Seol: Others might not know, but I know... the truly scary face hidden behind that fake smile.


The Rundown

Behind the name: Based on the Webtoon: 치즈 인 더 트랩 

Country: South Korea, 2016

Genre: Rom-Com

Production: Lee Yoon-Jung

Network: tvN

Director: Lee Yoon-jung

Cast:   Kim Go-Eun (as Hong Seol), Park Hae-Jin (as Yoo Jung), Seo Kang-Joon (as Baek In-Ho), Lee Sung-Kyung (as Baek In-Ha) Nam Joo-Hyuk (as Kwon Eun-Taek), Park Min-Ji (as Jang Bo-ra)

Compare to: Boys Over Flowers

Hate it or Love it?  Enjoy it


Synopsis in a Sentence: A manipulative ‘angel’ makes life a living hell for those around him... undercover, so what happens when you get to be the cheese in his trap?



On Writing: The Plot

Oh, where to start. The writing is quite remarkable for capturing the nuances of complex characters, the double layers behind their motives, and the insecurities that fuel their actions. That’s the first thing. 

The second thing is that… it is sooooo cute! From a female perspective. Both cute and toxic at the same time. But layered and nuanced and at some levels, absolutely astounding! 

Great writing, great plot, not-so-great impact? 

(4/5)




On Acting: The Cast 

A very well cast crew! 

All hail Park Hae-Jin, the handsome heartthrob who is stoic, dangerous and angelic at the same time. We’re really talking about his character. That’s how good he is as an actor. 

Kim Go-Eun is female lead and of course good! She plays the innocent, childlike university girl well, of course, so great work on the acting. As a petition to the writers, can we please get a real, well rounded female lead? Not an emotionally stunted 15-year old masked as a 20-something year old woman? Little rant here, but this character, as portrayed, is so extremely cliche in the Manhwa/K-drama space! 

Seo Kang-Joon is Beak In Ho and quite the hooligan! A job well done as we haven’t quite seen him in this role before. 

Beak In-ha is such a character! And she plays her effortlessly, believably and wonderfully! Fabulous acting from the larger-than-life Lee Sung-Kyung!  

And honourable mention goes to Nam Joo-Hyuk, who plays friend to our female lead along side Park Min-Ji and honourable mentions to the full cast of “college kids” that come together to make this a binge-worthy guilty pleasure! 

A very well cast team! Great characters, glorious portrayals! 

 (4.5/5) 


On Production: The Creativity

The creativity is perhaps mostly on the plot and character side, but production does not let us down. Good work overall, and a great addition to portraying and relaying the story.

(4/5)                                              


On Resolution: The Conclusion

The ending is quite unlike what we’ve seen before. The resolution? Deserved a re-watch, but for the innovation that springs past the expected K-Drama ending, the conclusion deserves some props!  

(4/5)


The Verdict: An absolutely cute, lovey dovey portrayal of a toxic relationship, with a twist of an ending that perhaps redeems the story… a bit...  


Overall Score = 16.5/20







God Calling (2018 Movie)

Saturday, May 22, 2021

A heart-wrenching, dramatic, imaginative piece. 


The Rundown

Behind the name: Apply literal interpretation

Country: Nigeria, 2018 

Genre: Melodrama

Production: Heart in Motions Pictures

Director: Bodunrin Sasore

Cast: Zainab Balogun (as Sade), Seun Ajayi (as Tope), Nkem Owoh (as Papa Francis), Onyeka Onwenu (as Mama Francis), Richard Mofe-Damijo (as Sade’s father, Tina Mba (Sade’s mother), Chidinma Okebalama (as Anna), Shawn Faqua (as John), Eku Edewor (as Asa)

Compare to: Road to Yesterday (for the drama)

Hate it or Love it? Appreciate it


Synopsis in a Sentence: A mother with a drug addiction experiences a deep tragedy in her household, and then God calls... 


On Writing: The Plot

The story goes from conventional to catastrophic in a single act… in terms of the case depicted, not the writing. The writing is fairly good and really atypical for the Nollywood space. And the melodrama is brave and daring. It explores themes of faith, addiction, mental and emotional health, family, and purpose. Now that’s a load for a modern Nollywood production! For the uniqueness of the angle, an imaginative piece.

But be warned, the story peaks fairly early, and then descends slowly, in an otherwise slow burn… without the explosive boiling point. 

(3/5)


On Acting: The Cast 

A good one.  

Overall, the cast is believable, and for the theatrical concoction that attracts Nigerian productions, that’s a very good thing! 

Zainab Balogun is the lead of the film, Sade, and she delivers her character very well. A great improvement since her first appearances on the big screen, and we’re all here for it! 

Seun Ajayi is Tope, husband to the lead and he’s good also, a decent portrayal of the character. 

It’s great to see Nkem Owoh play Papa Francis, and Onyeka Onwenu deliver Mama Francis, and they’re a great act in their typical (perhaps typecast) roles. 

Richard Mofe-Damijo is, of course, the wealthy father, and Tina Mba plays his partner, and the mother of Sade. Same same the roles go. 

Chidinma Okebalama is Anna, Shawn Faqua is John, and Eku Edewor is Asa in this movie. 

Overall, a good cast, overall some convincing acting. Overall, not entirely remarkable. 

 (3.5/5) 



On Production: The Creativity

Production is very clearly the star of this film! It’s shot absolutely stunningly, and out-rivals any of the best Nollywood productions, perhaps ever! 

The creative filming, editing, and cinematography weave perfectly into the story, and in fact, enhances it. Honestly, throughout the film, while other elements threaten to weaken the movie and its delivery, the visual language, tone and special effects salvage it all! 

Director and writer, Bodunrin Sasore delivers some stunning shots, vibrant visuals, and compelling effects. Some well deserved praises go to him, and the entire production team behind the scenes who never quite get enough credit for all the work they’ve wondrously accomplished!

(4/5)                                              


On Resolution: The Conclusion

It ends alright, and the conclusion may be surprising to some, but even a melodrama needs an up-tick, right? The question is; is it? 

(3.5/5)


The Verdict: A well-produced melodramatic piece. An overall good watch, for its fairly unique premise, all with very good production sequences.  


Overall Score = 14/20




Review - Namaste Wahala (2020 Film)

Sunday, April 25, 2021

 Was fairly keen on watching this Nollywood meets Bollywood production! 


Loose Translation = Hello Trouble!


The Rundown

Behind the name: Hello Trouble!  

Country: Nigeria, 2020

Genre: Rom-Com

Production: Forever 7 Entertainment 

Distribution: Netflix

Director: Hamisha Daryani Ahuja

Cast: Ini Dima Okojie (as Didi), Ruslaan Mumtaz (as Raj), Richard Mofe-Damijo (as Earnest), Joke Silva (as Shola), Sujata Sehgal (as Meera), Ibrahim Suleiman (as Somto), Frodd (as Raymond)

Compare to: Chennai Express

Hate it or Love it?  Entertain it


Synopsis in a Sentence: A Nigerian girl and Indian guy literally collide on a beach and fall into instant love, and of course their families have no chill




On Writing: The Plot

The story is really, honestly corny. The concept is cool and could be fun, but somehow, doesn't quite land. Could it be the feigned depth? The premature sprint into love? The trite opposition of their families? Whether the culprit is one or all of these, the plot is quite unexceptionally delivered. 

For being the first of its kind though, and for reflecting the marriage of cultures that Nigerian-Indians have been able to create over time, it deserves recognition. 

(3/5)


On Acting: The Cast 

A fairly good cast, but overall, underwhelmingly delivered action. Because it is corny. But oh well! 

Ini Dima Okojie is Didi, and she’s believable as a love-interest, but hardly so as a lawyer. Is it her lines? The plot? The lack of depth of her character? What more can be said? Still, she is interesting to watch. 

Ruslaan Mumtaz is Raj, the male love interest and he’s alright, yet some delivery is… corny. Could it be the lines or the unbelievable jumps his character is forced to make into love? Who knows? Eye candy to watch though. 

Richard Mofe-Damijo is lawyer-father Ernest, and by now, he’s played this 100 times so… is it trite? Still, he is believable. 

Joke Silva is sophisticated mum, Shola and of course, she’s great. Could be the ace of the production. 

Sujata Sehgal makes her Nollywood debut as Meera, and she’s quite good as the Indian mother protecting her son from… the unknown… yet our introduction to her performance lacks the intensity it needed to be convincing. Otherwise, a good delivery overall. 

And 2019 Big Brother Nigeria contestant, Frodd, makes his big-screen debut as Raymond, a convincingly entitled loser-brat! 

Overall, a good cast who unfortunately falls victim to an undeveloped plot line… 

 (3/5) 



On Production: The Creativity

Production is fair. It’s quite alright and loses itself in some cases, but it’s certainly not all bad. Perhaps it’s the best thing the movie has offered yet.. but then it’s not. 

(3.5/5)                                              


On Resolution: The Conclusion

It ends with the expectation that there will be a part two, because there is hope that this movie can redeem itself with a sequel that captures the wahala, and fun, of a Nollywood-Bollywood-Indian-Nigerian wedding! 

(3/5)


The Verdict: A lukewarm, underwhelming, yet fairly light-hearted watch.  


Overall Score = 12/20