Showing posts with label Drama. Show all posts
Showing posts with label Drama. Show all posts

God Calling (2018 Movie)

Saturday, May 22, 2021

A heart-wrenching, dramatic, imaginative piece. 


The Rundown

Behind the name: Apply literal interpretation

Country: Nigeria, 2018 

Genre: Melodrama

Production: Heart in Motions Pictures

Director: Bodunrin Sasore

Cast: Zainab Balogun (as Sade), Seun Ajayi (as Tope), Nkem Owoh (as Papa Francis), Onyeka Onwenu (as Mama Francis), Richard Mofe-Damijo (as Sade’s father, Tina Mba (Sade’s mother), Chidinma Okebalama (as Anna), Shawn Faqua (as John), Eku Edewor (as Asa)

Compare to: Road to Yesterday (for the drama)

Hate it or Love it? Appreciate it


Synopsis in a Sentence: A mother with a drug addiction experiences a deep tragedy in her household, and then God calls... 


On Writing: The Plot

The story goes from conventional to catastrophic in a single act… in terms of the case depicted, not the writing. The writing is fairly good and really atypical for the Nollywood space. And the melodrama is brave and daring. It explores themes of faith, addiction, mental and emotional health, family, and purpose. Now that’s a load for a modern Nollywood production! For the uniqueness of the angle, an imaginative piece.

But be warned, the story peaks fairly early, and then descends slowly, in an otherwise slow burn… without the explosive boiling point. 

(3/5)


On Acting: The Cast 

A good one.  

Overall, the cast is believable, and for the theatrical concoction that attracts Nigerian productions, that’s a very good thing! 

Zainab Balogun is the lead of the film, Sade, and she delivers her character very well. A great improvement since her first appearances on the big screen, and we’re all here for it! 

Seun Ajayi is Tope, husband to the lead and he’s good also, a decent portrayal of the character. 

It’s great to see Nkem Owoh play Papa Francis, and Onyeka Onwenu deliver Mama Francis, and they’re a great act in their typical (perhaps typecast) roles. 

Richard Mofe-Damijo is, of course, the wealthy father, and Tina Mba plays his partner, and the mother of Sade. Same same the roles go. 

Chidinma Okebalama is Anna, Shawn Faqua is John, and Eku Edewor is Asa in this movie. 

Overall, a good cast, overall some convincing acting. Overall, not entirely remarkable. 

 (3.5/5) 



On Production: The Creativity

Production is very clearly the star of this film! It’s shot absolutely stunningly, and out-rivals any of the best Nollywood productions, perhaps ever! 

The creative filming, editing, and cinematography weave perfectly into the story, and in fact, enhances it. Honestly, throughout the film, while other elements threaten to weaken the movie and its delivery, the visual language, tone and special effects salvage it all! 

Director and writer, Bodunrin Sasore delivers some stunning shots, vibrant visuals, and compelling effects. Some well deserved praises go to him, and the entire production team behind the scenes who never quite get enough credit for all the work they’ve wondrously accomplished!

(4/5)                                              


On Resolution: The Conclusion

It ends alright, and the conclusion may be surprising to some, but even a melodrama needs an up-tick, right? The question is; is it? 

(3.5/5)


The Verdict: A well-produced melodramatic piece. An overall good watch, for its fairly unique premise, all with very good production sequences.  


Overall Score = 14/20




Review - When the Weather is Fine (TV Series, 2020)

Monday, February 15, 2021

 It’s winter so I found this cozy little series to sink into!  


Mok Hae-won: Trust is like glass; once it’s shattered, it can’t be returned to its original state.


The Rundown

Behind the name: 날씨가 좋으면 찾아가겠어요. Based on the book: I'll Go to You When the Weather Is Fine by Lee Do-woo

Country: South Korea, 2020

Genre: Drama 

Production: Ace Factory

Network: JTBC

Director: Han Ji-seung

Cast: Park Min-young (as Mok Hae-won), Seo Kang-joon (as Im Eun-seob), Moon Jeong-hee (as Shim Myeong-yeo), Jin Hee-kyung (as Shim Myeong-joo), Kim Hwan-hee (as Im Hwi),Lee Jae-wook (as Lee Jang-woo), Im Se-mi (as Kim Bo-young)

Compare to: Forest

Hate it or Love it?  Appreciate it


Synopsis in a Sentence: A woman leaves the hustle and bustle of Seoul to spend some time in the countryside, and has to face the pain of her past...and as unsaid family secrets unravel, so does a frosty love prospect... 

 


On Writing: The Plot

Think understated, picturesque, and deliberate drama. 

As one viewer commented, “It’s like turning the page of a book” A well-read, intentional, leisurely read, but with the heaviness of an anvil released slowly into water. It’s a nuanced, gradual slow burn, with characters full of intentionality and perspective. 

It’s a good watch, but you have to be in the mood for this one. 

(3.5/5)

On Acting: The Cast 

The cast is quite well suited to this pictorial drama. 

Park Min-young is Mok Hae-won, the lead and center of the story, through whose life we see the drama, bitterness, simplicity and sweetness of country life.

Seo Kang-joon plays Im Eun-seob, the bookstore owner, and he relays the quiet understated nature of the character quite well. 

Moon Jeong-hee depicts Shim Myeong-yeo, the memorable, yet lovingly scathing aunt.

Kim Hwan-hee brings the colourful Im Hwi to life, and we’re glad for this spirited character of Eun-seob's little sister, as she lights up the screen. 

A good team and cast overall. 

 (4/5) 




On Production: The Creativity

Production is deliberately pretty, and muted, and made to capture the wonderfully mundane yet beautiful prosaic of life in the countryside to life. I’m not sure how they managed to do it, but production in fact succeeded in capturing a book in film form, and perhaps this makes the production the star of the show! 

(4/5)                                              


On Resolution: The Conclusion

It ends quite alright, despite the tough realities presented. Good job bringing a new story to life, only the slow-release story makes for a slightly unremarkable ending. 

(3/5)


The Verdict: A thoroughly slow, utterly deliberate production; watch when in the mood, on a snow day!  


Overall Score = 14.5/20








Review- Parasite (2019 Film)

Thursday, January 16, 2020
I consume so much media; TV, music, books and film, that I’m not very easily wowed, even by  great productions. However, once in a few years, maybe even a few decades, I find a brilliant jewel in a myriad of gems and rocks. And this past decade, I found this film. 
This movie is something else; of another grade; an actual piece of art, in film form, that is entertainment, and education, and elucidation, and commentary and beauty. A true, true masterpiece. 
Oscar pick for Picture of the Year and Best Director! An Amazing, amazing piece of art! 

The Rundown
Behind the name: (Korean: 기생충; Hanja: 寄生蟲; RR: Gisaengchung) 
Country: South Korea, 2019
Genre: Dark Comedy, Thriller (Tragi-Comedy)
Production Company: Barunson E&A
Director: Bong Joon-Ho
Cast: Song Kang-Ho (as Kim Ki-Taek), Lee Sun-Kyun (as Park Dong-Ik), Cho Yeo-Jeong (as Park Yeon-kyo), Choi Woo-Shik (as Kim Ki-Woo ), Park So-Dam (as Kim Ki-Jung), Lee Jung-Eun (as Moon-gwang), Chang Hyae-Jin (as Kim Chung-sook)
Compare to: Itself
Hate it or Love it? Absolutely love it! Devour it, Mull over it! Cherish it! 

Synopsis in a Sentence: Two families’ lives intertwine; one rich, one poor and then comedy, drama, thriller, and all round parasitism ensue

On Writing: The Plot
This plot is absolutely remarkable. The base of the story is quite simple, but yet beautifully layered, and nuanced and rich. The story starts with an exposition that gives us the background into our eyes of the film—the poor family who lives in a basement apartment, and everything unravels from there. 
The writing takes us through rising action that leads us to experience the pretense, hustle, greed, and fear that life can bring, and we are left with a climax that explodes only to reveal the beauty of its falling action, and a resolution that leaves us thinking through all the layers of real life implications in society.
The writing is so good that it lands on you, transports you, engulfs you into the plot of the story so that when it ends, you’ll need a minute(or two) to deconstruct the staggeringly phenomenal artistry you’ve just been privileged to witness & experience! Wondrous writing! 
(5/5)


On Acting: The Cast 
Not sure what courage it took for a cast to take this on, because all elements of the film are so perfect that bad acting would stick out like a sore thumb; but of course, the cast matches the plot and production and direction seamlessly, bringing the film to life. 
Let’s walk through the cast’s work through the film. There is a scene where veteran actor, Song Kang-Hok, who plays the father of the poor family, Kim Ki-Tae, is coached in acting by his son, Kim Ki-Woo (who is played by actor, Choi Woo-Shik). This is quite a ridiculous scene to watch given that, as one commenter put it; “It’s like watching Tom Holland (Spider Man) give acting lessons to Robert Downey Junior (Iron Man).” In any case, it’s a testament to the cast’s seamless relay throughout the film. 
Similarly, we see Park So-Dam and Cho Yeo-Jeong bounce off each other in a scene where they are introduced; Park as a fake “expert” art teacher, and Cho as her employer, the rich mother. We believe them, and though we’ve seen them in many other roles, we believe they are and always will be these characters. 
Then there is Lee Sun-Kyun, famous actor, who we see embody his role, and Jeong Hyun-Jun, who does so as well; there are so many people to praise, and they all work symbiotically to produce this great work!
And fun fact, editor Yang Jin-Mo cut this masterpiece of a movie on a no-longer supported, outdated version of Final Cut Pro. 
Now, dare we end the praise of the cast without the director, who is arguably the superstar of the whole thing? No. We do not dare. We must...
We have to give a special feature to director Bong Joon-ho, who certainly deserves the best director award and every accolade because. Because. What a mind, what artistry, what expertise to possess to envision and execute such a beguiling art piece. Truly, truly beyond oscar worthy work! 
A striking cast! 
 (5/5) 


On Production: The Creativity
It would—could—have been so easy to mess up such a wondrous piece of a work that is the story at the production stage because the nuance is so fine, so delicate, yet the juxtaposition between extremes is so jarring, so stark that it runs the risk of insulting its audience with it’s mundane initiation, yet lambasting the same audience with its sardonic commentary on society. Yet, paradoxically, it does none of that. 
The timing & pacing is art, rhythm is art; picture production and sound engineering is science. And synthesised all together, production is genius. The delivery of creativity in its best form. Simple genius. 
(5/5)                                              


On Resolution: The Conclusion
Never has an ending been so pretty, so poetic, so perfect. The plot of the movie lands so sardonically sublimely that it is a beauty. 
It is hard to deconstruct and determine the exact piece that makes this film a masterpiece, but if mandated, the resolution might be the ace of the whole thing. Remember the exposition? And the climax? And the cast, and the rhythm of the production? Well, the resolution melds them all to become art—literature, music, photography, production and acting—all at their finest. Film at its finest. Pulchritudinous perfection! 
(5/5)

The Verdict: An absolute masterpiece, a stunningly, remarkable, actually consumable piece of art. Virtual perfection

Overall Score = 20/20