Showing posts with label Historical. Show all posts
Showing posts with label Historical. Show all posts

Golden Door (2006 Film)

Thursday, January 31, 2013

I picked up Golden Door because the information on the back of the movie contained recommendations From Martin Scorsese (actually, I misread it—I thought it was a joint production by Scorsese and Emanuele Crialese) but I wasn’t completely disappointed—Scorsese’s recommendations proved valid.  


“A ride through past times.”

The Rundown
Behind the name: Original Title—Nuovomondo
Country: Italy, 2006
 Genre: Drama
Distributed by: Miramax Films
Director: Emanuele Crialese
Cast: Charlotte Gainsbourg (as Lucy Reed), Vincenzo Amato (as Salvatore Mancuso), Aurora Quattrocchi (as Fortunata Mancuso), Francesco Casisa (as Angelo Mancuso), Filippo Pucillo (as Pietro Mancuso), Federica De Cola (as Rita D'Agostini), Isabella Ragonese            (as Rosa Napolitano), Filippo Luna (as Don Ercole)
Compare to: Fellini Satyricon
Hate it or Love it?  Appreciate it

Synopsis in a Sentence: An Italian family emigrate from Sicily to America, and they meet an English lady who stirs things up.
           

On Writing: The Plot
The story of immigration into America. It takes care to highlight its main characters, taking care not to overshadow its supporting ones. The story is easy to follow, with a few abstract details to the story (cinematic metaphors, if you will) that may or may not be appreciated. Regardless, the story is a solid one, and does not once waver for uncertainty or inconclusion. A good one.
   (3.5/5)
 
On Acting: The Cast
The cast played well. One of those kinds that you may be led to conclude that they are indeed playing themselves in the movie. A good diverse mix of characters complemented by a skilful cast.
(3.5/5)



On Production:
Very well done. Production for the Golden Door should indeed be much appreciated. It’s done with care, like art and advances the story with abstract scenes that ponder on the minds of its viewers. Good work indeed.
 (4/5)                                             

On Resolution: The Conclusion
It’s not quite clear what kind of ending should be expected in such a film, but it is a good one that allows history to tell of the journey of Italian immigrants through America’s golden door. 
(3/5)

The Verdict: A good watch, loaded with like a documentary-esque information, but agreeably enjoyable.

Overall Score = 14/20

 

 




See the The Golden Door 

 [http://www.amazon.com/Golden-Door-Filippo-Pucillo/dp/B000X418UY/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1359676397&sr=1-1&keywords=the+golden+door]

Persepolis (2007 Film)

Monday, January 31, 2011

I intended to see Persepolis a long time ago, but things kept getting in the way, but I’m glad I waited though, it was a breath of fresh air after all my experiences in Foreign films.  



“A graphic novelist’s  first-attempt at film puts experienced directors to shame.”


The Rundown

Behind the name: Reference to the old city of Persepolis, Persia, capital of The Achaemenid Empire (ca. 550–330 BC)
Country: France, 2007
 Genre: Animated Drama
Distributed by: 2.4.7 Films, France
                       Cast: Chiara Mastroianni (as teenage and adult Marjane), Catherine Deneuve (as Mother), Danielle Darrieux (as Grandmother), Simon Abkarian (as Father)
Compare to: Itself
Hate it or Love it?  Love it.   

Synopsis in a Sentence: Follow the life of a girl who grew up during the Iranian Revolution, experienced what life in Iran was before the that time, after that time, and all the difference a little history makes.  
           

Persepolis started with a budget slightly over $7 million dollars that grossed US$22,752,488 for its makers. It’s been a subject of censorship for middle-eastern, Asian, and even western authorities alike, and spawned the 2007 Cannes film Festival Jury Prize, amongst 15 other awards and nominations, including best feature at the 80th Grammy Awards.
            You know a film has made it big when it’s up for awards and censorship simultaneously. 


On Writing: The Plot

Animated war dramas. There aren’t many of them around. The method of storytelling is unique because relative to the use of human characters, it may present the ideas in a lightly detached mode. However, Persepolis did not make that mistake. The story is delivered in a way that brings human characters to life in an enveloped, comical manner that might have flopped if delivered by the use of human actors.
The plot is not one we hear of everyday. We often hear of the plight of the poor, or the affluence of the wealthy, seldom are we shown the struggles of the “comfortable” if we can put it that way. It’s not only about the depression of war, or the loss of freedom, or the tragedy of love, or the search for oneself in the face of catastrophe. It’s all of these, wrapped up in one impressive plot.
 (4.5/5)


On Acting: The Cast

Ha!
Should we assess animated actors? Of course!
The characters themselves were interesting. Most of the characters, being round characters exhumed more character than humans I know. They were unapologetic, straightforward, authentic and empathic. A great achievement for sketched people, don’t you think?
 (4/5)


On Production:

Don’t turn your brain off just because the film is animated. Its definitely not a Disney production, nor is it anime. It is, in every way, a film, only just animated.
Its animated method of production allowed it to pull off more than it clould have in “real life.” And for good reason too. Its artistically infused comedic pieces flowed seamlessly with the true-to life drama. Production-wize, Presepolis is indeed a breath of fresh air to worldwide cinema. 
 (4/5)                                              


On Resolution: The Conclusion

Originally an autobiography, Persepolis jumped into the world of film with little experience and managed… no, succeeded in succeeding. The fact that the self-authour is still alive allows the story go on, even after the film ends. That’s quite interesting to know. Now before I sign out, I must say, self author, Marjane Satrapi, must be proud of herself for turning her autobiographic novels into an oscar-nominated hit. I plan to do that one day.
That said, you already know how the story ends, further than the film takes us. The resolution is unique.
(4/5)

The Verdict: A great piece of work: Authentic, fresh and entertaining, despite its dramatic and tragic base. An excellent blend of genres.

Overall Score = 16.5/20