Days and Clouds (2007 Film)

Monday, June 13, 2011

The best things in life are free… if only we can learn to live without.


“’Days and Clouds’ maintains the realistic dynamics between money, marriage and love with sophisticated candour.”

The Rundown
Behind the name: Also Known As “Giorni e' Nuvole”
Country: Italy & Switzerland, 2007
 Genre: Drama
Distributed by: Amka Films Producations & The Film Movement
Director: Silvio Soldini
Cast: Margherita Buy (as Elsa), Antonio Albanese (as Michele), Giuseppe Battiston (as Vito), Alba Rohrwacher (as Alice), Carla Signoris (as Nadia) and Fabio Troiano (as Riki)
Compare to: Time Out
Hate it or Love it?  Like it, for what its worth…  

Synopsis in a Sentence: An otherwise wealthy couple is forced to face real life after the man of the house loses his job, and they find that it’s a bit harder to be in love when money’s out of the equation.

On Writing: The Plot
It’s a story very few movies take on nowadays, and the plot deserves the careful countenance the film addresses. It’s interesting to see the dynamics of family relationships when under strain: The plot carries the nuances of the matter and highlights them through the characters. It’ not a film that preaches, neither is it one that simply narrates. It instead invites you into the time and space of the characters, harnessing both objectives in proper fashion.
 (3.5/5)

On Acting: The Cast
It’s a good sign when you’re watching a film and forget about the acting—it means the characters are so believable they con you into forgetting that they are acting. I do not recall remembering any “actors” throughout this film. On another note, perhaps it’s not a good thing, as good actors are remembered for their great skill. However, their performances were independently good, yet collectively complementing.
(3.5/5)

On Production:
Nice, warm hues, the camera complemented the story, taking angles and perspectives that went in line with the plot. Well done.
 (3.5/5)                                             

On Resolution: The Conclusion
It doesn’t end in the manner we quite would expect, which is what I would label a good film, a really good film. It’s a faux pas for a film to be predictable, and too many films continuously commit this crime in modern cinema, but this one doesn’t.
(4/5)

The Verdict: A realistic perspective on marriage, not overly pessimistic, yet not idealistically over-optimistic. Days and Clouds maintains the dynamics between money, marriage and love with sophisticated candor.

Overall Score = 14.5/20 




Review: Volver (2006 Film)

Thursday, May 19, 2011

I’d heard a lot about Volver but didn’t hope for much—most hyped flms turn out to be disappointments, but not this one…

“A ride through past times.”

The Rundown
Behind the name: Translation- “To Come Back”
Country: Spain, 2006
Genre: Drama
Distributed by: Miramax Films
Director: Pedro Almodóvar
Cast: Penélope Cruz (as Raimunda) Carmen Maura (as Irene) Lola Dueñas (as Soledad) Blanca Portillo (as Agustina) Yohana Cobo (as Paula) Chus Lampreave (as Tía Paula) Antonio de la Torre (as Paco) Carlos Blanco (as Emilio)
Compare to: Itself
Hate it or Love it?  Love it!

Synopsis in a Sentence: Current events draw Raimuda and Sole to the mysteries of their past, and they discover (or re-discover) what it means “to come back.”
           

On Writing: The Plot
A good one—A great one! Volver brings a unique and mysterious plot to the screen. It’s a story about death, family relationships, and the mysteries of the past like you’ve never experienced before.
   (4.5/5)

On Acting: The Cast
A great cast. They’ll draw you in. The predominantly female network of screen actors works well: 
 Penelope Cruz steals the show in this one. Her portrayal of Raimunda is authentic, raw, and dynamic.


Carmen Maura brings the detached emotions of the dead to life on screen, and leading actresses Lola Dueñas (Soledad) Blanca Portillo (Agustina) and Yohana Cobo (Paula) all resonate excellently on screen. That’s great a cast. (4/5)




On Production: The Creativity
Very well done. Very well done. Excellent symbolism, great shots, and artistic transitions: the production is so flawlessly delivered; it almost competes with the plot. It’s the perfect match for a great plot. Together, they do this film wonders.
(4.5/5)                                              

On Resolution: The Conclusion
Good, great, and everything in between. This is one film I’ll be raving about. If at first you think the story is good, wait until the end. It’s well worth it.   
(4.5/5)

The Verdict: A fantastic watch! It’ll have you coming back for more!

Overall Score = 17.5/20


 


Review: Big Bang - Special Edition Album (2011)

Saturday, May 7, 2011



“Two years since their last Korean release and less than two months after their comeback, the boys of Big Bang are back with a compilation album!” 



The Rundown

Country: South Korea
Record Label: YG Entertainment
Genres: K-Pop, R&B, Electronica
Languages: Korean, with bits of English
Tracklist: (10) 1. Love Song, SeungRi Solo 2. Stupid Liar, 3. Tonight, 4. High High, 5. Oh Yeah (Feat. 박봄), 6. Café, 7. I Need A Girl (Feat. G-Dragon), 8. Somebody To Love,  9. 어쩌라고 (SeungRi Solo)10. Baby Don’t Cry (Ds Solo).
 Love it or Hate it?  Luv it

The 411
On the Artists: Big Bang is a boy band of 5 from South Korea; GD (Leader, rapper), TaeYang (Main Vocal) TOP (Main Rapper), Seungri (Vocal), Daesung (Vocal)

Production & Vocals: It’s a compilation album, and because it includes some solo work, the styles are varied, which makes for a diverse listen. We’ve got the soft, vocal tracks (Baby Don’t Cry, Café), the more up-beat, mid-range tracks (Love Song, I Need A Girl), and the all out club-bangers (Tonight, High High). A good mix. Production is great, all YG talent: E. Knock, Teddy Park, TOP, and GD. As for the vocals, it’s hard to mess up vocals on a recorded track, especially in modern times. Can’t quite pick which one thumps the other. We’ll make it a tie.

The Good:  It’s a compilation of all the goodies from Big Bang’s solo activities, plus two bonus tracks (otherwise known as new material). The best part of this special edition album is that we get to have all their different tracks in one, and we also get to discover Daesung’s solo release! Fave Track: Café- We see a new Big Bang with this track, Café is Big Bang evolving musically, exploring and discovering their style  in music- I like that.

The Bad: Quite honestly, it seemed more like a rush-release or consolation release, a gathering, not a compilation. Love Song and Stupid Liar don’t quite deserve the honour of being labelled 'title tracks.’ They were good, but not memorable or particularly inspiring (the video for Love Song was great though; Effortlessly classic!). After being exposed to what Big Bang can produce, they frankly didn’t measure up on this one. Only two tracks and Daesung’s solo were new. The title tracks weren’t ground breaking, but likable. In any case, it’s nothing new. Least Fave Track: Baby Don’t Cry- It’s not a bad track: It’s not just a favourite.

The Verdict: 3.5 Nice to have a compilation album from Big Bang, but wish they could have put more soul into it... 

 

Review: My Princess (2011 TV Series)

Monday, April 25, 2011
Eager to see what the year had to offer, I picked up My Princess with hopes for finding new patterns in South Korean series in 2011, but it was rather easy to find typical patterns in the plot…


“It doesn’t stray far from standard South Korean romantic comedies—flawed female character meets refined male character, conniving villains and jealous sisters, and a few unimportant ‘crises’ attempting to enthral us with suspense, but falling short. All together, it’s quite typical—but we can expect better for 2011.”


The Rundown

Behind the name: Hangul- 마이 프린세스
Genre: Romantic Comedy
Released by: MBC (MunHwa Broadcasting Corporation)
                        Cast: Kim Tae-Hee (as Lee-Sul), Song Seung-Heon (as Hae-Young),  Ryu Su-Yeong (as         Nam Jung-Woo), Park Ye-Jin (as Yoon-Joo), Ryu Su-Yeong (as Jung-Woo)
                        Compare to: A Cinderella Story, Anastasia
Hate it or Love it? Like it

Synopsis in a Sentence: A struggling college student discovers she is the last living member of Korea’s royal family, and the diplomat put in charge of her re-instatement into the imperial family can’t help but fall for her; so will she sacrifice her throne for love?


On Writing: The Plot

The story was good. It was fun, bright and cute, but not a bit more than that. The plot dealt with a good mix of themes like love (of course), jealousy, wealth, and social status, so it was a good mix. On the whole, it had all the good ingredients for an excellent romantic comedy, but fell on two main faults:
1.                    It relied too heavily on unimportant events in an attempt to create unnecessary suspense
2.                    It had too many ‘cute’ parts
I know—how can a romantic comedy have too many cute parts? Well, successful romantic comedies thrive on the ability to create tantalizing and lingering romantic moments. If the story hangs too much on sentimentality, then it’s not quite as effective. Well, this one did just that—we knew what was going to happen before it did—it bared it all out far too early in the story, and so we had no cause to be enthralled by the romance.

(3.5/5)


On Acting: The Cast

It’s a beautiful cast, I must say.

Already South Korea's screen princess,  Kim Tae-Hee plays as bright and bubbly Lee-Sul, the princess. Although she plays the role effortlessly, I must wonder—In the entirety of South Korea, is there no other age-appropriate up and coming actress to play this role? While Tae-Hee is skilled, she was simply more mature than her college-level character. We’d love to see her play roles that require her experienced acting skills, while roles like these can be left to talented emerging actresses.

 Song Seung-Heon, who plays Hae-Young, the diplomat (otherwise known as love interest) is just right for this role. He plays the young, put together, professional quite well. 

Together, Kim Tae-Hee and Song Seung-Heon have great chemistry, and the're fun to watch. 

It was also fun to see Lim Je-Yin (Kim Da-Bok) in this one. She plays “mother of poor household,” once again or, more appropriately, mother of the princess pre-royalty period. Last time we saw her, she was in Boys Over Flowers, and she rocked as the pleasure-seeking mother. Seems like she’s perfected her skills since we last saw her.
And what are South-Korean series without its villains? Others of note include Kang Ye-Sol, for her portrayal of Lee-Dan, a.k.a jealous sister, and of course, Park Ye-Jin, for her rendition of chief villain, Oh Yoon-Joo. Even the bad guys were good…

(4/5)


On Production: The Creativity

Good music—well, one really good track. I had to look for the track the first few seconds I heard it (Kasio-Taru). That’s one really cute track, and a perfect musical rendition of the sentiments in the series. As far as editing, camera work, and transitions, they weren’t bad either. They all quite worked well.

(3/5)                                             
                                        

On Resolution: The Conclusion

What would happen in a predictable romantic comedy? You can guess right from here. Yes, it ended just as you thought—although there were notable attempts to thwart our thinking—but it didn’t quite work, MBC. We were able to guess the ending after the first five episodes…

(3/5)

The Verdict: It doesn’t stray far from the standard South Korean romantic comedy—flawed female character meets refined male character, conniving villains plot evil and jealous sisters tag along, inject a few unimportant ‘crises’ attempting to enthral us with suspense, but fall short, and you’ve got the gist of My Princess. All together, it’s quite typical, but we can expect better for 2011.




Overall Score = 13.5/20



Watch My Princess [www.dramacrazy.net/korean-drama/my-princess/]

Review: Aziatix - Go (Single, 2011)

Monday, April 11, 2011










"
A masterful collaboration: Eddie’s  vocals melt over the beat like chocolate in your mouth, Flowsik’s  rhymes add some solid rhythm to the blues, and Nicky Lee brings in that refined, R&B vibe. To top it all up, Jae Chong (producer) is on fire on this track! Altogether, this single is an authentic rendition of the artists’ skill."



















The Rundown
Countries:  USA/South Korea
Label:  Independent
Genres:  R&B, Hip-Hop
Language:  English
Sounds Like:  N*Sync meets Boys II Men, with better 16s… or the male TLC…
Love it or Hate it?  Love it!

The 411
On the Artists: Aziatix is a group of 3 guys—Nicky Lee (Vocalist), Eddie Shin (Vocalist) and Flowsik (Rapper) [See picture, L-R]. The track came out late March and pulled us in through April.  An independent group from either coasts of the US, Aziatx, was just what we needed in these days of instant, fast-food-music.

On Production & Vocals: Their vocals are diverse, potent, and relevant. Their message is clear, and the production is solid. Nice and solid. Like the proper R&B we know. It’s a masterful collaboration: Eddie’s vocals melt over the beat like chocolate in your mouth, Flowsik’s rhymes add some solid rhythm to the blues, and Nicky Lee brings in that refined, R&B vibe. To top it all up, Jae Chong is ON FIRE on this track. Altogether, this single is an authentic rendition of the artists’ skill.
The music industry has been capitalizing on electro beats these past few years (funny how, about five years ago, Dance/Electro lovers were known as ‘Techno Freaks’ but now all your favourite musicians are going Electro to create club bangers). Well, this track takes us all the way back to the hay days of Rhythm and Blues. It’s all good R&B.

The Good:  No Artificial preservatives—Yup! If this were food, it would be the all-natural, un-artificial, home-grown good stuff. The track is like organic, zero calorie music (which these days, means no auto-tune!). It’s effortless, raw talent and musical skill wrapped up in one. These guys write and compose their stuff, (they even do their own publicity), and publish their music out of an independent studio. It’s much fun watching the group interact directly with their fans, listen, and work, like everyday people- only that they produce mad tracks at the end of the day. I L.O.V.E that stuff like this is produced by a band with no backing from a major company. I love the raw talent and I love the raw skill. I love it. Period.

The Bad:  There’s hardly anything wrong with the track—but for one minute (or so) detail in the arrangement. The track starts with a refrain (or hook) and It would have been be all right, but for the fact that 2:28 mins into it, you hear the ref all over again, which usually indicates that the track is transcending into its ending, but then there’s still over a minute of song left: there's a 16-bar add-on, then the chorus, and then the outro. By the time the outro is up, you would be slightly ‘tired’ of the song (because your mind had calculated that since the track started with a ref, a repetition of the same ref would indicate a near ending). So you might say that the song suffers slightly from bits and pieces in too many parts (although they do blend well together). But then again, perhaps it’s not a bad thing—perhaps it’s a bid to add variety to the track’s musical arrangement. For the most part, it works.

The Verdict: 4.5 Stars Proper R&B—Top Stuff—Can’t wait to see what else Aziatix has in store!  

Review: Aimée And Jaguar (1999 Film)

Saturday, April 9, 2011

The cover said it all, but I wasn’t quite ready for the whole film…


Ilse: Has she risked her life? Would she lie and steal and fight for you? Do you think she'd take risks my father takes? She has no idea what it's like listening to every idiot who comes up the stairs. But you know how it is, Felice. Your behaviour makes me sick!
Felice: [long beat] So send me a bill.”

The Rundown
Behind the name: Based on the true stories of Lilly Wust and Felice Schragenheim, and a book by Erica Fischer
Country: Germany, 1999
 Genre: War Drama
Distributor: Senator Film
Directed By: Max Färberböck,
                  Cast: Maria Schrader as (Felice Schragenheim/Jaguar), Juliane Köhler (as Lilly Wust/Aimée), Johanna Wokalek (as Ilse), Heike Makatsch (as Klärchen), Elisabeth Degen (as Lotte), Detlev Buck (as Günther Wust), Inge Keller (as Lilly Wust- 1997), Kyra Mladeck (as Ilse-1997)
Compare to:
Hate it or Love it?  Appreciate it  

Synopsis in a Sentence: A Jewish woman living in Nazi Germany develops a relationship with a married German womanbut how will life in Hitler’s Germany treat them?           

On Writing: The Plot
The plot’s a unique one. We’ve seen a few holocaust movies but none quite like this. The storyline includes issues that touch on injustice, racism, socio-political hardship, and homosexuality. It’s based on a true story, and a book: original, noteworthy, and authentic. An interesting plot.
(3.5/5)

On Acting: The Cast
It’s a good cast. Maria Schrader quite carries the film on her shoulders, but not without a little help from Juliane Köhler. Together they are good, but Schrader is quite the star. Other supporting actors also do justice to their parts. Good work overall.
(4/5)

On Production:
The production is good. Well relayed and delivered.
 (3/5)                                             

On Resolution: The Conclusion
Because it’s based on a true story, it makes you think. You’ll want it to end they way you’d like, but it doesn’t, because it’s a true story. A good resolution.
(4/5)

The Verdict: A good and insightful watch. Beware of sexual content though.  

Overall Score = 14.5/20